Natural Hieroglyphics – Photo: L. Weikel
Natural Hieroglyphics
Our walk late this afternoon yielded a remarkable observation that just begged to be photographed and shared. A branch of a tree had fallen on one of the back roads we travel when we go on our longer ‘walkabout.’ It obviously had been cut with a chainsaw and tossed on the berm to decay. While this is a relatively common occurrence, the mystery evoked by the natural hieroglyphics lurking under its bark was a welcome addition to our day.
Yes, of course. We know the markings are the result of insects living beneath the bark. But it doesn’t take a deep dive into the ocean of whimsy to see the designs created by these creatures resemble early efforts by humans to convey thoughts, ideas, and perhaps emotions as well.
I guess the markings probably resemble more the musings of our most ancient ancestors (those I referenced in my recent post about a Cloud Horse) – not necessarily the further evolved ideas of the ancient Egyptians. Nevertheless, one could definitely ‘read’ meaning into this discovery.
Intuition or Baloney?
I’m not positing that we drew any conclusions from our discovery today, beyond the fact that the natural world creates works of beauty filled with symbols recognized by humans for millennia.
And even though we didn’t ‘read’ anything into the figures and faces, spirals and meandering paths we could see as plain as day etched into this chunk of wood, I’m not reluctant to say we could have. We didn’t see messages or interpret signs because we hadn’t asked a question. We weren’t seeking answers to anything in particular.
Or maybe we were – and maybe we received exactly what we needed. Maybe we were yearning for a flash of creativity from Mother Earth or the creatures with whom we share our environment. Perhaps we needed to see some freeform artwork that would send our own creative juices into a state of demanding expression instead of always being happy to step aside for more practical and logical endeavors.
Permission
When we give ourselves permission to imagine we unleash a whirlwind of potential.
Maybe that’s why, as a culture, we tend to instill in ourselves and our children (because it was instilled in us) a disdain for embracing our intuition. Actually, beyond disdain, it actually feels like a fear of embracing our ability to tap into the Unseen. There’s an incredible amount of power inherent in imagination, creativity, and making intuitive connections to signs, symbols, and patterns in our lives.
What happens when we give ourselves license to truly engage our imaginations? To read the patterns engraved in wood by insects that may have died months or years ago? Could it be possible that there is a web of connection between all beings we encounter – between us and everything else in our world?
Is it be possible that we can access insight and guidance from beings we arrogantly deem lack sentience?
It makes me wonder if the message brought by our natural hieroglyphics was to provoke a musing on precisely these questions.
(T-254)